INGRES - ορισμός. Τι είναι το INGRES
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Τι (ποιος) είναι INGRES - ορισμός

DATABASE SOFTWARE
Berkeley Ingres QUEL; INGRES; IngresCorporation; University Ingres; Ingres II; OpenIngres; CA-Ingres; Ingres database; Ingres Database

INGRES         
  • Chantilly]]
  • [[Pablo Picasso]], ''Portrait of [[Gertrude Stein]]'', 1906. [[Metropolitan Museum of Art]], New York
  • ''[[Napoleon I on his Imperial Throne]]'', 1806, oil on canvas, 260 x 163 cm, [[Musée de l'Armée]], Paris
  • ''Self-Portrait at Seventy-Eight'']] (1858), [[Uffizi]] Gallery, Florence
  • Tomb of Ingres in the Père Lachaise Cemetery, Paris
  • ''Mme Victor Baltard and Her Daughter, Paule'', 1836, pencil on paper, 30.1 x 22.3 cm
  • ''Male Torso'' (1800), Montauban, Musée Ingres
  • ''[[The Martyrdom of Saint Symphorian]]'' (1834), Cathedral of [[Autun]]
  • ''[[Virgil reading The Aeneid before Augustus, Livia and Octavia]]'' (1812, later reworked), Toulouse, Musée des Augustins
  • ''Self-Portrait'', 1822, [[National Gallery of Art]]
  • Grande Baigneuse]]'', also called ''The Valpinçon Bather'' (1808), [[Louvre]]
  • ''[[Odalisque with Slave]]'' (1842), oil on canvas, 76 x 105 cm, [[Walters Art Gallery]], [[Baltimore]]
  • ''[[Romulus' Victory Over Acron]]'' (1811), the Louvre
  • ''[[La Grande Odalisque]]'' (1814), the Louvre
  • Oedipus and the Sphinx]]'' (1808), [[Louvre]]
  • The Source]]'' (1856), Musée d'Orsay, Paris
  •  ''[[The Turkish Bath]]'' (1862–63), The Louvre
  • ''[[The Vow of Louis XIII]]'' (1824), Cathedral of Notre-Dame, Montauban
  • ''[[Les Demoiselles d'Avignon]]'', Pablo Picasso (1907)
  • ''Medallion portrait of Julie Forestier'', 1806, by Ingres
  • The Envoys of Agamemnon]]'', 1801, oil on canvas, École des Beaux Arts, Paris
A relational DBMS vendor.
INGRES         
  • Chantilly]]
  • [[Pablo Picasso]], ''Portrait of [[Gertrude Stein]]'', 1906. [[Metropolitan Museum of Art]], New York
  • ''[[Napoleon I on his Imperial Throne]]'', 1806, oil on canvas, 260 x 163 cm, [[Musée de l'Armée]], Paris
  • ''Self-Portrait at Seventy-Eight'']] (1858), [[Uffizi]] Gallery, Florence
  • Tomb of Ingres in the Père Lachaise Cemetery, Paris
  • ''Mme Victor Baltard and Her Daughter, Paule'', 1836, pencil on paper, 30.1 x 22.3 cm
  • ''Male Torso'' (1800), Montauban, Musée Ingres
  • ''[[The Martyrdom of Saint Symphorian]]'' (1834), Cathedral of [[Autun]]
  • ''[[Virgil reading The Aeneid before Augustus, Livia and Octavia]]'' (1812, later reworked), Toulouse, Musée des Augustins
  • ''Self-Portrait'', 1822, [[National Gallery of Art]]
  • Grande Baigneuse]]'', also called ''The Valpinçon Bather'' (1808), [[Louvre]]
  • ''[[Odalisque with Slave]]'' (1842), oil on canvas, 76 x 105 cm, [[Walters Art Gallery]], [[Baltimore]]
  • ''[[Romulus' Victory Over Acron]]'' (1811), the Louvre
  • ''[[La Grande Odalisque]]'' (1814), the Louvre
  • Oedipus and the Sphinx]]'' (1808), [[Louvre]]
  • The Source]]'' (1856), Musée d'Orsay, Paris
  •  ''[[The Turkish Bath]]'' (1862–63), The Louvre
  • ''[[The Vow of Louis XIII]]'' (1824), Cathedral of Notre-Dame, Montauban
  • ''[[Les Demoiselles d'Avignon]]'', Pablo Picasso (1907)
  • ''Medallion portrait of Julie Forestier'', 1806, by Ingres
  • The Envoys of Agamemnon]]'', 1801, oil on canvas, École des Beaux Arts, Paris
INteractive Graphic REtrieval System
Ingres paper         
TYPE OF DRAWING PAPER
Ingres paper is a type of drawing paper. It is a laid finish paper of light to medium weight, and it is not as strong or as durable as Bristol paper.

Βικιπαίδεια

Ingres (database)

Ingres Database ( ing-GRESS) is a proprietary SQL relational database management system intended to support large commercial and government applications.

Actian Corporation, which announced April 2018 that it is being acquired by HCL Technologies, controls the development of Ingres and makes certified binaries available for download, as well as providing worldwide support. There was an open source release of Ingres but it is no longer available for download from Actian. However, there is a version of the sourcecode still available on GitHub.

In its early years, Ingres was an important milestone in the history of database development. Ingres began as a research project at UC Berkeley, starting in the early 1970s and ending in 1985. During this time Ingres remained largely similar to IBM's seminal System R in concept; it differed in more permissive licensing of source code, in being based largely on DEC machines, both under UNIX and VAX/VMS, and in providing QUEL as a query language instead of SQL. QUEL was considered at the time to run truer to Edgar F. Codd's relational algebra (especially concerning composability), but SQL was easier to parse and less intimidating for those without a formal background in mathematics.

When ANSI preferred SQL over QUEL as part of the 1986 SQL standard (SQL-86), Ingres became less competitive against rival products such as Oracle until future Ingres versions also provided SQL. Many companies spun off of the original Ingres technology, including Actian itself, originally known as Relational Technology Inc., and the NonStop SQL database originally developed by Tandem Computers but now offered by Hewlett Packard Enterprise.

Παραδείγματα από το σώμα κειμένου για INGRES
1. Ingres was a gifted player, and the expression ‘Ingres‘ violin‘ has entered the French language to mean a hobby or second career PARIS – AFP ARTICLE SUMMARYA rare retrospective of the 1'th century French artist Jean–Auguste–Dominique Ingres, a man who lived almost as long as Picasso and mastered as many genres, is drawing in the crowds at the ARTICLE A rare retrospective of the 1'th century French artist Jean–Auguste–Dominique Ingres, a man who lived almost as long as Picasso and mastered as many genres, is drawing in the crowds at the Louvre museum in Paris, where it is the major spring exhibition.
2. In 1814, the French artist Jean–Auguste–Dominique Ingres painted La Fornarina sitting on the artist‘s knee.
3. Once that image had been engraved, published and distributed all over France and the Napoleonic Empire, David, Vernet and Ingres had little option but to rework it.
4. An image is reflected by a concave mirror and projected on to a surface where it can be directly copied by the artist; many painters, including the incomparable Ingres, have long used it to draw people quickly and with precision.
5. Yet with all the movement between fact and myth, past and present and propaganda and reportage, it is almost a relief to let David get lost in the shuffle of the great, universally adored, more manageable 1'th–century French painters who followed him, starting with his student Ingres.